High school students participate in college-level artistic training in New York City and online. These intensive and enriching courses are taught by Tisch undergraduate faculty. Visiting students and ...
Fred Moten is Professor in the Departments of Performance Studies and Comparative Literature, where he teaches courses in black study, poetics and critical theory. He works with lots of social and ...
SOMETHING TO KNOW UP FRONT... When scheduling your artistic review, we will ask if you want to be considered for ALL STUDIOS or MUSICAL THEATRE ONLY. Your answer will not impact your eligibility for ...
Diana Taylor is University Professor and Professor of Performance Studies and Spanish at NYU. She is the author of Theatre of Crisis: Drama and Politics in Latin America (1991), which won the Best ...
ETW was founded in 1975 by prominent theater practitioners who valued the socially conscious artist. These artists developed a training program based on the innovative approaches to physically based ...
André Lepecki works and researches at the intersection of critical dance studies, curatorial practice, performance theory, contemporary dance and visual arts performance. Selected curatorial work ...
Dean Allyson Green is a choreographer, visual artist, curator and arts educator. Integrating artistic creative development and education, advocacy for the arts, and service to the local and ...
Ann Pellegrini writes, teaches, and practices across a number of interdisciplinary fields and conversations: queer and trans studies; gender and performance; psychoanalytic studies; trauma studies; ...
Barbara Browning was studying, teaching and performing Brazilian dance during the period in which she was completing her PhD in Comparative Literature at Yale University, where she wrote her thesis on ...
The department faculty has compiled an informative resource page with links to various sites to assist our students and alumni. It can be challenging for students studying performance studies to find ...
The portfolio review is a discussion with your evaluator about your interest in and ideas about your chosen area(s) of specialization, along with your accomplishments and experience in the field thus ...
We encourage you to explore the great depth and breadth of material in the field of theater to find engaging and challenging material. Why do you want to direct this? (250 words or less) Why is your ...