For the past weeks, I’ve kept a new monograph on the artist Emily Mason on my glass coffee table, observing the sea of ...
Elisa Wouk Almino is a writer, editor, and literary translator based in Los Angeles. She is currently the editor-in-chief of ...
Entering The Roaming Peach Blossom Spring, Qiu Anxiong and Howie Tsui’s two-person exhibition at the Richmond Art Gallery, ...
Lin Li. Lin Li is an independent curator and writer based in Vancouver, on the ancestral and unceded territories of the ...
During the reign of Benito Mussolini, an enormous carved relief of the dictator’s head loomed over the streets of Rome, his downcast gaze ...
Tara Anne Dalbow is a writer and critic living in Los Angeles. Her work has been featured in the Los Angeles Times, Artforum, ...
In the season’s penultimate episode, we feature Andrii Ushytskyi, a Kyiv-based writer, dancer, and co-editor of Solomiya, an independent magazine founded in response ...
Katie Lawson. Katie Lawson is a curator and writer based in Toronto. She has curated exhibitions for the Toronto Biennial of Art, Kitchener-Waterloo Art Gallery, Images Festival, ...
I first saw Martin Wong’s prison paintings when I visited a two-person exhibition of Wong and the contemporary painter Aaron Gilbert at PPOW Gallery in 2021. Five of them were included in the show. I ...
Tilt your ear to a Jack Whitten painting and you might hear music. “You gotta be able to think like John Coltrane to do what I am doing in painting,” the artist said in the final decade of his life.
When I used the term “Muslim body” in my curatorial note* for an exhibition in New Delhi last year, I did not anticipate the extent to which it would draw institutional ire. I had used it as an ...
A soft, warm light morphs into a shadow of a woman’s braided hair on the back of her neck. There is the sound of faint footsteps as she moves around her flat, shifting objects in the kitchen, the ...