Lee Soo Man resisted the title at first. “King of K-pop” sounded too brash, too nightclub-esque — like something you’d see on ...

Lee Soo Man resisted the title at first. “King of K-pop” sounded too brash, too nightclub-esque — like something you’d see on a neon sign in Itaewon, ...

In conversation with 'Kokuho' director Lee Sang-il, prolific auteur Yamada Yoji said that while Japan's animation industry has flourished, live action has lagged behind.

Focused on the vulnerability of refugees, Akio Fujimoto turns his attention to a family as they make a dangerous journey from Bangladesh to Malaysia.

Recently, we co-hosted (together with the College of Arts and Sciences and University Advancement) a screening of the ...