New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.

Yo-Yo Ma. The man is a box-office dream, a living legend who had an Esplanade full-house (1800 with the gallery filled) cheering even before he had played a single note. Such was the grip the American ...

L'elisir d'amore may not immediately bring Skegness or Romney to mind, but ETO's new production works quite well there... just look out for the seagulls!

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.

As a pre‑tour snapshot, this concert proves was unambiguous: an orchestra intent on renewing the canon in the language of now ...

Stepping in for an indisposed Marta Gardolińska, the guest conductor leads a virtuosic performance of Lutosławski’s Concerto ...

Present what could be considered challenging work unapologetically, the Manchester Collective makes friends on London's ...

Alice Sara Ott joins the Chicago Symphony Orchestra for Ravel's Piano Concerto for the left hand and the Piano Concerto in G ...

Manfred Honeck inaugurates the new season in Pittsburgh with a Sibelius concerto and a Dvořák symphony, prefaced by a contemporary American work by Christopher Theofanidis.

Andrew Manze and the RLPO delivered a thrilling evening of bold orchestration, premieres, and unexpected drama — culminating ...

A very diverse mixed bill for Fall for Dance showed some top notch dancing though it was not entirely successful ...

Amy Lane’s production of Gounod’s Roméo et Juliette at the COC is eye-catching and enjoyable but doesn’t offer the same level of insight as her Faust last season.