Review: Rereleases of ‘Stalker’ and ‘Solaris’ gives us a fresh look at Andrei Tarkovsky’s heady sci-fi By Mark Olsen Staff Writer Follow May 18, 2017 1:50 PM PT ...

Why Andrei Tarkovsky’s interminably dull 1979 sci-fi masterpiece “Stalker” is the movie we need right now "Stalker" is a balm in an age when folk prefer to shock themselves in a lab rather ...

Andrei Tarkovsky's Stalker was first released in the US in 1982, after premiering at the Cannes Film Festival in 1980. This restored version also played at the Montclair Film Festival.

Films by Andrei Tarkovsky and Roberto Rossellini’s are joining the prestigious library this summer. Summer 2017 is shaping up to be quite the exciting season for The Criterion Collection. In May ...

A couple of years ago, a panel of experts convinced me that “Stalker,” Andrei Tarkovsky’s beautiful and magically melancholy 1979 film of environmental paranoia, is secretly a stoner comedy ...

Andrei Tartovsky, Geoff Dyer, Spring 2012, Stalker, Zona Originally appearing in our Spring, 2012 print issue, my short report on Zona, Geoff Dyer’s fascinating critical memoir on Andrei Tarkovsky’s ...

The greatest Russian filmmaker of the post-Eisenstein era, Tarkovsky's films often dealt with themes of loss and regret (Solaris), memories (Mirror, Nostalghia) ...

Cinephiles, rejoice! Criterion Collection will be adding a major science-fiction classic to its roster this summer: a restored version of Stalker, directed by Solaris filmmaker Andrei Tarkovsky.