In The Wire 495, Daniel Spicer reviews five albums that form part of a Strata-East reissue programme that celebrates the rich legacy of the New York label ...

Like Mark E Smith and The Fall, David Thomas and Pere Ubu were featured in The Wire early on in the life of the magazine, when it was still primarily concerned with jazz and improvised music. Thomas ...

Josh Feola compiles an annotated playlist to accompany his report on the Danish capital’s DIY underground in The Wire 495 ...

In The Wire 495, Hugh Morris argues that the word jazzy denotes a cluster of cliches that neglects to engage with jazz itself ...

Following the release of a new LP by the Orchestra Of Futurist Noise Intoners, director Luciano Chessa and Sanatorium Of Sound director Gerard Lebik discuss the legacy of Italian Futurist composer Lui ...

In the third instalment of his rebooted Secret History of Film Music column, Philip Brophy analyses two horror scores by Gazelle Twin – Black Cab (2024) and Nocturne (2020) – and considers how psychol ...

New album hexed! explores sobriety and neurodiversity through radical tunings and transformed instruments. By Chal Ravens. Inside: Satch Hoyt : The one-time Burnt Sugar member’s Un-Muting project ...

The 24 April edition of The Wire ’s weekly radio show on Resonance FM and Resonance Extra featured tracks by Sun Ra, Ambrose ...

Here you can listen to a mix of the tracks our correspondent Julian Cowley played to Alvin during the interview, which is published in full in The Wire 495. To find out what Alvin said about them, ...