If there was any question about the connection between the material of the self — human clay — and the stuff of sculpture, Robert Arneson’s 1988 work on paper, "Head Wedged," makes the relationship ...

For every work of art that Brie Ruais makes, she starts with her body weight in clay, bringing new meaning to the term “life-size” sculpture. The Brooklyn-based artist pushes, pulls, and scrapes the ...

Survey: Antony Gormley,” showcases the artists work inside the museum and its gardens, as well as nearby rooftops.

In works of clay at Night Gallery, Brooklyn artist Brie Ruais takes up the mantle of a body-conscious strain of feminist sculpture. Lynda Benglis’ messy, spreading latex floor pieces come to mind, as ...

Excavated by Hebrew University researchers at Natufian settlement Nahal Ein Gev II, the 3.7 centimeter clay sculpture retains ochre traces and the fingerprint of its presumed young female maker.

At a time of increasing anxiety about physical anatomy, figurative sculptors are breathing new life into one of the world’s oldest media. By Zoë Lescaze IT’S A CONFUSING time to have a body. On the ...

These creatures may be frozen in time, rendered in a painterly abstracted style that separates them from a sense of reality, but they still feel like they could come alive and spring into action at ...