This interview is part of an ongoing Star series highlighting Kansas Citians from historically underrepresented communities ...
The scent of burning copal filled the air as Aztec dancers, bedecked in feathered headdresses and wearing shell-embellished ankle cuffs, blessed an intersection bordering Little Village and North ...
Introduction: ritual journeys, dancing histories, enacting bodies, and spirits / Dannabang Kuwabong -- Re-visionary history as myth performance: a postcolonial re-reading of Maud Cuney-Hare's Antar of ...
Performances in N.Y.C. Advertisement Supported by A solo by the choreographer Bintou Dembélé, the first showing of her work in the United States, explored the crossover between hip-hop and diasporic ...
Les Ballets Africains productions are meant for big stages. Their larger-than-life costumes, diverse collection of African drums and theatrical storytelling call for a giant space, but the national ...
TravelNoire on MSN
Where We Remember: African Diaspora Destinations Where The Dead Are Honored, Not Feared
The Mexican holiday Dia de los Muertos, or “Day of the Dead,” attracts millions of people worldwide to honor the lives of ...
Gule Wamkulu dance secretive society members in gory masks and colorful outfits walk on the streets in Zimbabwe.(AP Photo/Tsvangirayi Mukwazhi) Deep into the night, the sound of drums reverberated ...
LGBTQ Nation on MSNOpinion
These 5 stories show that queerness was a part of pre-colonial Africa
From the rock shelters of southern Africa to the royal courts of Buganda, fluidity shaped ritual, healing, and community.
John Kinahan does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their ...
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