You’d be hard-pressed to find a hot-button issue in the American culture war that Ari Aster ‘s “Eddington” doesn’t take a swing at.

Katy Perry’s ‘Firework’ is perfect, but it took Aster trying hundreds of songs after not getting the rights to a Jay-Z track.

Joaquin Phoenix and Pedro Pascal face off in "Eddington." Credit: A24 Comedy is tragedy plus time. There may be a day when critics look back on Ari Aster's COVID-19 comedy Eddington with kinder eyes.

Ari Aster and the Museum of the Moving Image will host an 'Eddington'-inspired film series with Aster in attendance.

Exclusive: Ari Aster digs deep into his COVID Western Eddington and how it represents a modern world where everyone is online. "It's not that we disagree on any number of issues. It’s that we don’t agree about what those issues even are.

The 'Yellowstone' star discusses his love for the filmmaker and working with Joaquin Phoenix in A24's darkly satirical neo-Western.

The first and maybe only true jump scare in Ari Aster’s “Eddington” comes right at the start. A barefoot old man trudges down the center of a road running through an empty Western town. He’s ranting and incoherently raving as he climbs a craggy hill silhouetted against a twilight sky. He gazes, or maybe glares, out at the town below.

Writer-director Ari Aster's fiendishly funny film stars Joaquin Phoenix and Pedro Pascal as a sheriff and mayor on politically opposing sides in a well-off community during the summer of 2020. "'Eddington' has something to offend (or annoy) just about everybody,